Art At The Sandler Center

The latest Sandler Center for the Performing Arts Art Gallery exhibition invites viewers to enjoy a diverse collection of paintings, promising a captivating journey of paint, sweat, and jokes featuring the whimsical art of Daniel Goodman.

“Because Therapy Is Expensive,” by Goodman, a Richmond-based artist, is on view now through March 3, whenever the Sandler Center box office is open, as well as to event ticketholders during Sandler Center events. The Sandler Center and Sandler Center Foundation will host a free, public opening reception for this exhibition, 6-8 p.m., Jan. 27.

The artist, who is an advertising copywriter by trade, paints fluid compositions using a saturated color palette, juxtaposing a free-flowing style with intentional lines and shapes. After living in New York for 15 years, Goodman moved back to Virginia in 2020. Since moving, his art has been featured in numerous shows, storefronts and surfaces across the ViBe Creative District, including murals for both the 2023 and 2024 ViBe Creative District Mural Festivals, one of which he painted with his father, Michael, a talented artist in his own right.

Learn more about the Sandler Center for the Performing Arts Art Gallery, including opportunities to potentially exhibit, online. Questions may be emailed to artsinfo@vbgov.com.

On September 16, 2011, the Sandler Center dedicated Virginia Beach’s newest piece of public art. Lin Emery's latest work, Wings, is a large-scale kinetic sculpture. The aluminum artwork enhances the façade of the Sandler Center and aesthetically complements the outdoor plaza and surrounding Town Center businesses.

Renowned New Orleans artist, Lin Emery seeks to capture the energy inherent in nature in her kinetic sculptures. Not only does her iconography rely on natural shapes, but it is the forces of nature such as wind or water that set her sculptures in motion. Her latest sculpture Wings is a classic example of the sculpture’s relationship with wind and movement. The highly polished surfaces of her welded aluminum sculptures invite a dialogue between the industrial character of their construction and the organic connotations that the works evoke.

Emery begins each of her large-scale public sculptures with a scaled-down model. Ms. Emery insists on hands-on-control of every stage of the process. She works with her own crew throughout the design and implementation process. Ms. Emery’s six decades of work can be seen throughout the United States, Europe, and Asia. Her work has been commissioned by government municipalities, universities, medical centers, religious centers, and corporate plazas. In October, Hudson Hills Press will release Lin Emery by Philip F. Palmedo and John Berendt. The book covers the artist and her 60 years of work.

About the sponsor: "Tom Felton loved visual art, symphonic music, dance, opera, theatre, folk music, sculpture, pottery, and arts of all kinds; for this I loved him. We agreed that public art defines a city and the Sandler Center for the Performing Arts is a definitive part of Virginia Beach. A building to house all performing arts needs a magnificent sculpture as a focal point. Using the Sandler Center logo for inspiration, Lin Emery was chosen to define our city. Her sculpture, Pennant, has been defining our Meyera E. Oberndorf Central Library for over twenty years. Tom and I agreed that his hometown should be a vision for the arts. The statement, “intelligence, creativity, arts,” is our legacy." — Juanita Felton

The Sandler Center has become even more beautiful as three stunning glass sculptures by internationally renowned Japanese artist, Toshio Iezumi, now permanently adorn the Sandler Center lobby for visitors and citizens of Virginia Beach to enjoy for years to come. The pieces were created by joining plates of glass and then grinding them, forming stunning, contemplative sculptures that present ever-changing moods in differing light, presenting the viewer with a different, beautiful impression upon each viewing. Captivated by the beauty and mystery of glass, Mr. Iezumi's work explores the visual potential of glass in an attempt to create flawless perfection.

Toshio Iezumi resides in Japan, where he was born in 1954. He graduated from the Tokyo Glass Institute and is both a Practicing Artist and an Associate Professor of Fine Art at the Kurashiki University of Science and the Arts. His work has been exhibited in art galleries and in museum exhibitions worldwide, including 'World Glass Now' (Hokkaido Museum of Modern Art, 1991 & 1994); 'Venezia Aperto Vetro' (Museo Correr, Venice, Italy 1996); 'The Glass Skin' (Hokkaido Museum of Modern Art, Corning Museum of Glass, Kunstmuseum Düsseldorf, 1997-99); 'Glass Exhibition' (Art Museum, Shanghai Art Museum,); 'Outspoken Glass' (Hokkaido Museum of Modern Art,2003); 'Material Matters' (Los Angeles County Museum of Art, 2006); 'Sculpture by the Sea' (Bondi, Australia, 2007). He is represented in the permanent collections of major museums including The Corning Museum of Glass; The Los Angeles County Museum of Art; The Newark Museum of Art; The Hokkaido Museum of Modern Art; the National Museum of Modern Art, Tokyo; Suntory Museum of Art, Tokyo.